Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
The Journey of the Song Cycle from “The Iliad” to “American Idiot” By: Katrina Gingerich | Musical Offerings
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
Heine's Flowers in Schumann's „Myrthen“
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
Fantasy Pieces - Metrical Dissonance in The Music of Robert Schumann - Harald Krebs | PDF | Robert Schumann | Rhythm
Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Reading Schumann By Way of Jean Paul and His Contemporaries - College Music Symposium
Schumann's Piano Cycles and the Novels of Jean Paul
Schumann's Opus 39 Liederkreis - The Story of An Engagement | PDF | Robert Schumann | Napoleon
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
Heine's Flowers in Schumann's „Myrthen“
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
